By Hiram Pérez
Describing an everlasting homonationalism relationship to the “birth” of the gay within the overdue nineteenth century, Pérez considers not just how US imperialist enlargement was once learned, but additionally the way it was once visualized for and during homosexual males. by way of an research of literature, movie, and pictures from the nineteenth to the twenty first centuries—including Herman Melville’s Billy Budd, Anne Proulx’s “Brokeback Mountain,” and images of abuse on the Abu Ghraib prison—Pérez proposes that glossy homosexual male identification, frequently traced to overdue Victorian buildings of “invert” and “homosexual,” occupies no longer the outer edge of the kingdom yet relatively a worldly place, instrumental to initiatives of battle, colonialism, and neoliberalism. A flavor for Brown Bodies argues that practices and subjectivities that we comprehend traditionally as different types of homosexuality were regulated and normalized as an extension of the USA geographical region, laying naked the tacit, if complicated, participation of homosexual modernity inside of US imperialism.
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Extra info for A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire (Sexual Cultures)
A Taste for Brown Bodies: Gay Modernity and Cosmopolitan Desire (Sexual Cultures) by Hiram Pérez